American director of Hungarian origin, Oscar-winner. He received his diploma from the School for Dramatic Arts in 1906. He then went to live in Pécs, then Szeged. He made his first film in 1912. The next year he went on a study tour to Denmark to study the newest achievements of the new art in the studios of the then flourishing Nordisk company. Here he worked as assistant and director, acting as the main character in Atlantis (1913). Having returned in 1914, he went to the Jenö Janovics film production company in Kolozsvár (Cluj). In 1915, he moved back to the capital. In 1916 he worked for Kinoriport, then as a director for Phönix until late 1918. He shot a total of 38 films in Hungary. In 1919, he filmed the popular poem by Antal Farkas with the title Jön az öcsém (1919). During the Commune, he settled down in Vienna. He was one of the most productive and most educated artists in Hungary at the beginning of the silent film era.
Biography
Curtiz began acting in and then directing films in his native Hungary in 1912. After WWI, he continued his filmmaking career in Austria and Germany and into the early 1920s when he directed films in other countries in Europe. Moving to the US in 1926, he started making films in Hollywood for Warner Bros. and became thoroughly entrenched in the studio system. His films during the 1930s and '40s encompassed nearly every genre imaginable and some, including Casablanca (1942) and Mildred Pierce (1945), are considered to be film classics. His brilliance waned in the 1950s when he made a number of mediocre films for studios other than Warner. He directed his last film in 1961, a year before his death at 74. Michael Curtiz - Biography - IMDb
The average cost for a filmmaker to attend a film festival or community engagement screening program by Mario J. Novoa Have you ever asked yourself, what is the average cost for a filmmaker to attend a film festival out of their state, including meals, lodging, and transportation? As a seasoned filmmaker, I seldom have found the answers online, which is why I decided to share my experience with you. Granted I am an independent filmmaker who often funds my own expenses through screening fees or stipends offered through the exhibition agreement. The average cost for a filmmaker to attend a film festival out of their state can vary depending on the festival, the location, and the filmmaker's budget. However, a rough estimate would be around $2,000 to $3,000. Here is a breakdown of the costs: Submission fee: Most film festivals charge a submission fee, which can range from $20 to $100. Travel: The cost of travel will vary depending on the distance between the filmmaker's home and t...
“I admire Walt Disney, I am charmed by Walt Disney, and I decided my career inspired by Walt Disney. And I met him in New York, or, I should say, I just walked past him. On the opening day of New York World’s Fair, https://www.google.com/culturalinstitute/beta/entity/m01vl17?categoryId=artist I was lucky enough to get a chance to talk to him. I came across him leaving the stage just after delivering the speech. I got nervous but somehow introduced myself to him. ‘I am a head of a Japanese animation studio.’ ‘Nice to have you here.’ ‘I am the one who made Astro Boy.’ ‘Really? I know Astro Boy. I saw the work in Los Angeles. It’s a great work.” ‘Thank you very much. My staff would be honored. Well, may I have your comment about the work?’ ‘It’s a very interesting Sci-Fi story. Future children are looking toward the space. So I, myself, think about making Sci Fi, too. If you have time, visit me in Burbank.’ ...
Breaking Through - A Filmmaker's Journey to Sustained Success Part 1: "Cultivating Creative Confidence in Filmmaking" Introduction: Embarking on a career in filmmaking is a journey filled with artistic highs and personal lows. As a filmmaker, I understand the importance of overcoming self-doubt and limiting beliefs. In this post, we'll explore key aspects of my own journey and share insights on sustaining a successful career in both fiction and documentary filmmaking. Segment 1: Embracing Failure Early in my career, I faced the paralyzing fear of not being "good enough." Each setback felt like a roadblock, hindering my creative process. However, embracing failure became a pivotal lesson. I learned that setbacks are not signs of inadequacy but stepping stones towards growth. In this segment, we'll delve into the transformative power of embracing failure and how it became a cornerstone of my creative confidence. Segment 2: Building a Supportive Network No ...